The case for Thomas Middleton being our second greatest Jacobean dramatist is brilliantly prosecuted with this murky, magnificent and utterly hypnotic production of Women Beware Women (1621) by Marianne Elliott in the Olivier.
Rarely seen – …
Full published article at: http://www.whatsonstage.com/reviews/theatre/london/E8831272445458/Women+Beware+Women.html
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