The programme for Jonathan Miller’s staging of
Mozart’s
third Da Ponte opera includes some neatly reasoned apologias for the
tale’s dubious
morals and its implication that a woman’s place is in the wrong. In the
end,
…
Full published article at: http://www.whatsonstage.com/reviews/theatre/london/E8831284222293/Cos%EC+fan+tutte.html
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