Messing about with Ibsen has become a bit of a trend lately, and playwright Zinnie Harris follows a misfired update (not hers) of Hedda Gabler at the Gate with a not totally convincing re-write of A Doll’s House as an Edwardian political sob stor…
Full published article at: http://www.whatsonstage.com/index.php?pg=207&story=E8831242809650
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