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Review: From Here to Eternity, Shaftsbury Theatre ✭✭✭✭
Enjoyable, not gripping; original, not groundbreaking, writes Emily Hardy. […]
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Review: Blood Wedding, The Courtyard Theatre ✭✭✭
Technical clunkiness aside, Aria Entertainment produce a relatively solid show, writes Katie Brennan. […]
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Review: The Commitments, Palace Theatre ✭✭✭
With all the ingredients of a hit, The Commitments has the potential to pack real punch and yet feels uncomfortable in its own skin, writes Emily Hardy. […]
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Review: Hidden in the Sand, Trafalgar Studios ✭✭✭✭
There is something beautiful about a love story between two people of a slightly older generation, writes Amy Kirle. […]
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Review: Jekyll and Hyde, Southwark Playhouse ✭✭
The title conjures images of something macabre, but the play fails to scare or intimidate, writes Ewan Stuart. […]
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Review: Divas Unsung, Leicester Square Theatre ✭✭✭
Divas Unsung is an encouraging night out for musical theatre buffs, writes Amy Kirle. […]
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Review: Barking in Essex, Wyndham’s Theatre ✭✭
The strong cast are the pull in this somewhat drip of a comedy, writes Matthew Bannerman. […]
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Review: A Midsummer Night’s Dream, Noël Coward Theatre ✭✭✭
Grandage’s young, trippy production is sexy and funny, but not particularly revolutionary or moving, writes Emily Hardy. […]
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Tom Daley gives up diving to become an actor
Treading the theatrical boards with the help of Fourthwall Magazine. […]
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Review: Farragut North, Southwark Playhouse ✭✭✭
A night of political intrigue and suspense starring Jeremy Irons’ son Max, writes Louisa Wigg. […]