The First Word: The EGO has landed
I left drama school feeling quite smug. My graduating year had been somewhat of a personal triumph, writes Karla Crome. […]
I left drama school feeling quite smug. My graduating year had been somewhat of a personal triumph, writes Karla Crome. […]
Innovative theatre company Slung Low are rounding up the troops and getting ready to land on Salford for their latest landmark production, writes Francesca Waite. Slung Low are one of the most groundbreaking theatre companies […]
As my second full-length play Public Property opens in the West End, I am as excited as the child that got the puppy for Christmas, writes Sam Peter Jackson. […]
…Thank you. “Is that good?” You ask yourself. Does that mean “I was perfect, the job is mine” or perhaps “You suck, get out of my audition room”? Writes Daniella Gibb. […]
Alan Bates Bursary Winner The Alan Bates Bursary, named in honour of the much loved champion and former patron of The Actor's Centre, has been running for 5 years and applications for the award have […]
Often, when applying to drama school, the most daunting piece to prepare can be the classical monologue. If that's how you feel, then rest assured you're not alone, writes Josh Boyd-Rochford. Many professional actors admit […]
Next year Cygnet Training Theatre will be celebrating thirty years as a hands on school, training actors in all areas of the business. Christine Foster finds out more. We've all met those two theatre professionals […]
You may well be familiar with the name, but are you aware of Sandford Meisner's acting technique? Scott Williams trained with the legendary practitioner and shares with us an introduction. With the arrival of YouTube […]
Situated right in the heart of the bustling market town of Hitchin, Hertfordshire, the Market Theatre is a 75-seater professional theatre with a dedicated following and a growing reputation. Indeed, the word must be getting […]
Readers will already be aware of East 15 Acting School's commitment to developing unique courses to address the needs of a changing world of performance, writes Kevin Wyatt-Lown. A few months ago I wrote about […]
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